Hayatim (1982) هياتم

This scene features Alexandria born dancer and actress Hayatim and is from the 1982 Egyptian film “Al Aqwyaa” (The Mighty or The Strongest الأقوياء). This is a drama with an all-star cast including Madiha Yousri, Ezzat El Alaily and Naglaa Fathi. The film also starred Rushdi Abaza who had been married to both Taheya Karioka and Samia Gamal. Rushdi Abaza died in 1980 during filming of this production and his remaining lines were spoken by well known Egyptian actor Salah Nazmi who’s never seen onscreen.

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Fifi Abdu (1982) عبده‎ فيفى

This is Egyptian superstar Fifi Abdu in a scene from the 1982 Egyptian film ‘Quench the Fire‘ (Min Yotfe el Nar من يطفئ النار ) in which she has three costume changes. The film starred Lebanese singer Walid Toufik who is the singer with her. The film also starred Egyptian actresses Raghda and Athar el Hakim and screen legend Farid Shawki. The writer and director of the film was Mohamed Salman who moved to Cairo from Lebanon after receiving his degree and became a noted singer in 1950s Egyptian films. He appeared with dancers Katy, Hager Hamdi and Horeya Mohamed amongst others. He was married to fellow singer Najah Salam.
Trivia: Walid Toufik was born in Tripoli, Lebanon and had his ‘big break’ appearing on the Lebanese tv talent show ‘Studio el Fan’. He moved to Egypt and his career really took off from there.

Azza Sherif (1983) عزة شريف

This scene is from the 1983 Egyptian film ‘Al Motasawel‘ (The Beggar المتسول) and features Egyptian born dancer Azza Sherif. The singer is Ahmed Adaweya. The film starred Adel Imam and Esaad Younes who play the bride and groom in this scene. The woman in the blue galabeya who tries to get up to join Azza Sherif is former dancer Hayatim who plays a leading role in the movie.
Trivia: Azza Sherif was born in 1947 and was married for several years to the Egyptian singer Katkot al Amir.

Saeeda Galal (1979) سعيدة جلال

Here’s another performance by Saeeda Galal, (who was a Mona al Saeed-lookalike) from the 1979 Egyptian film ‘The Curse of Time’ (Laenet al Zaman لعنة الزمن).  In this clip she uses a stick (assaya). The film starred Farid Shawki, Adel Adham, Poussy and Hussien el Sherbini.

Naima Akef (1954) نعيمة عاكف‎

The dancer in this scene is the legendary Naima Akef (1929-1966) and the singer is Karem Mahmoud (1922-1995) who was a well-known Egyptian singer and actor. The scene’s from the 1954 Egyptian film ‘Nour al Ayoun’ (Light of My Eyes نور عيوني ) which also starred Mahmoud al Meliji, Zeinat Sedki and Hassan Fayek.  A quick summary of the film plot is that Nour the dancer (Akef) loves Adel the singer (Mahmoud) and they’re a successful duet. Hanafi (al Meliji) is jealous and pins a murder charge on Adel who’s arrested. Nour gets a confession from Hanafi and Nour and Adel get married.
Trivia: If you’re interested, there’s a clip on this channel of Egyptian dancer Nagua Fouad performing while Karem Mahmoud sings “Samra ya Samra”.

Fifi Abdu (2000) فيفي عبده

This is Egyptian dancer Fifi Abdu in a scene from ‘Zane’t el Setat’ (also titled ‘Zanket al Sitat’, Women’s Market زنقة الستات) released in 2000. Fifi Abdu starred in the film playing Fawakeh who wants revenge on the men involved in the death of her sister. Also starring were Maged el Masry, Samy el Adl and doctor-turned-actor Ezzat Abou Ouf.
Born in Cairo in 1953 as Attiyat Abdel Fattah Ibrahim (عطيات عبد الفتاح إبراهيم) Fifi Abdu’s first appearances were as a member of a baladi troupe.
Trivia: Zane’t el Setat is the name of the old market in Alexandria, Egypt and is the area where the 1920s serial killers Raya and Sekina often met their intended victims.

Samia Gamal (1951) سامية جمال‎‎

The dancer in this scene is Egyptian born Samia Gamal performing in the 1951 film “The Beauty’s Cheek” (Al Ghad al Gamil خد الجميل). The singers are in a group sitting at the table dressed in pseudo-Lebanese garb and they come up to join her individually. In order of performance the singers are Suad Makkawi, Mahmoud Shekuku, and Abdel Aziz Mohamed. The film also starred Marie Munib and Hassan Fayek.