This is another scene from the 1953 Egyptian film ‘Ghaltet al Omr’ (Mistake of a Lifetime غلطة العمر) which starred the performers featured in this clip; dancer/actress Samiha Tawfik and singer/actress Hoda Sultan. Also starring were Zouzou Nabil and Hamdy Gheith. Fouad al Mohandes appears in this movie which is early in his film career.
This is a scene from the Egyptian film ‘Tahia al Rijjala’ (Long Live Men تحيا الرجالة) and the dancer is Samiha Tawfik. The film was released in 1954 and starred Karem Mahmoud, Sherifa Maher, Abdul Salem al Nabulsi and Zeinat Sedki.
Born in 1928, Samiha Tawfik had a long career as both an actress and an on-screen dancer. Her brother, El Toukhy Tawfiq, was also a well known film actor and fight scene arranger. They both started their careers working in a circus with their father. Samiha Tawfik retired from show business in 1987 and passed away in 2010.
Trivia: Lebanese dancer Gawaher also performs in the same film.
This is a scene from the 1953 Egyptian film ‘Ghaltet al Omr’ (The Mistake of a Lifetime). Samiha Tawfiq is the dancer and Hoda Sultan is the singer. There’s something for everyone here, a bit of bellydance, some debke, some slide guitar and (sort of) hula.
Hoda Sultan was married to Egyptian actor Farid Shawki (‘The King of Third Class’) for many years. She died in 2006.
Samiha Tawfik dances in a scene from the 1954 Egyptian film titled ‘Al fares al aswad’ (The Black Knight الفارس الأسود). The film starred Kouka, Yehia Chahine and Farid Shawqi and was directed by Niazi Mostafa. There’s another scene from the same film with Nemat Mokhtar dancing also on this channel.
The film tells the story of a young Bedouin woman who works in a circus following the death of her parents. Eventually she returns to her tribe where she falls in love with the son of the headman but the tribe refuses to accept her. A war breaks out between her tribe and another and she assumes the identity of a masked knight dressed in black fighting in defence of her tribe. Her tribe win the war, her true identity is revealed and the head man gives his approval to the marriage.
The director of the film Niaza Mostafa went to Germany to train as an engineer but once there he quickly transferred to the Cinema Institute in Munich. After graduation as a filmmaker he worked on films in Germany and returned to Egypt in 1935.